SERVICES:
FILM & TELEVISION
Digital Intermediate
Editorial
Telecine
Electronic Image Transfer
Digital Dailies
HD/SD Deliverables
Visual Effects
Tape Duplication
Sound Services
Vault Security
Operations
Equipment Rentals
Client Services
Equipment List
NEW INSTALLATIONS
ADVERTISEMENTS
WHITE PAGES
|
DLP Projection
CLARITY
- DLP™ technology comes closer than any other display solution to reproducing the exact mirror image of its source material. That's why images projected by DLP™ technology are always crystal clear.
The thousands of mirrors making up the Digital Micromirror Device at the heart of DLP™ technology are spaced less than one micron apart, resulting in a very high "fill factor." By minimizing the gaps between pixels in a projected image, DLP™ projection systems create a seamless digital picture that's sharp at any size—without the pixellation or "screen door" effect apparent in other technologies.
BRIGHTNESS
- DLP™ projection systems outshine the alternatives because, being mirror-based, they use light more efficiently.
While other technologies lose a certain amount of light in transit, the microscopic mirrors in a DLP™ projection system bring more light from lamp to screen.
PRINT Features:
DLP_PROJECTION.pdf
HOW IT WORKS:
DLP Technology
"The experience of color correcting Ghosts of the Abyss, in real time on the big screen in HD is a dream come true for me. After two decades of cursing the vagaries of photochemestry while color timing my films, it feels like we have rocketed out of medieval times into the 21st century. I really enjoyed working in Modern VideoFilm's big theater, which exactly reproduces the size and feel of a movie theater, and correcting the color on my film at the touch of a trackball. And not only changing color, but hue and black values and contrast, and so on, and with power windows, actually changing the color in certain areas of the shots.Working in the data environment, going from Inferno to I-Q to Da Vinci, we have performed hundreds of subtle manipulations to the shots without loss or noise being added, and the end result is as crisp and clean as the camera original. And to top it off, we've found that what we see on the big screen at Modern VideoFilm translates perfectly to film without requiring scene to scene corrections at the printing stage, even in IMAX. So it has been a slam dunk success of an experience."
-James Cameron

|



More Info:
DLP
|